Friday, March 10, 2017

A Germane Germain Poster

Ok, forgive the terrible pun/homonym joke for the title. It made me laugh. Anyway, this week's post is about a 16-sheet magic poster for one of our favorite clients. The poster had been previously backed on craft paper and this backing was starting to come apart, so we re-lined it.

Re-lining means removing the old lining before we adhere the poster to a new lining. One thing to note is that paper loss while removing an old lining is an unavoidable part of the process. We take steps to minimize the amount lost, but it is still something that we consider and discuss with clients each time we take on a demount project like this. The old lining on this poster came off with relative ease and minimal paper loss, although there were still visible losses. The pieces were left to dry while the team began the process of stretching the linen and gluing the masa to that linen for the new backing.







When we re-line large format posters like this we build a frame on the largest wall of our studio and then stretch linen across it, just like we do with our smaller frames. However, the scale of watching a piece like this come together is always impressive.



Once the linen has been stretched, we then spread glue across it and adhere large pieces of masa paper to create a substrate on which the poster will then be glued.


After there is enough masa to cover the area we need, the real fun starts. John and Robin spend time organizing the pieces of the poster into the precise order in which they need to be mounted. This lets them work in tandem to have each new piece ready one after the other. Each piece was washed, rinsed and then glued on our capillary tables before being carried over to the lining.


At this point in the process the piece is being manipulated while it is held in tension on a piece of mylar. It has glue on the back and John is positioning it before he uses a squeegee to evenly adhere it to the masa substrate. Once that is done, the mylar is then peeled away, leaving the section on the backing.

Another thing to note is that when we do these large scale pieces it involves a lot of climbing. Onto tables, up ladders and stools - it's a lot of work. Fortunately, John does most of the climbing while the rest of us assist him.



From here I'm mainly going to let the pictures do the talking because this piece comes together so well visually. As each new section was added we took a photo:











From the last photo you can see that there was some paper loss, but reasonably minimal for the size, age and condition of the poster. Restoration was performed in those areas using our usual methods.

Certain proprietary steps and procedures have been omitted. If you have any comments or ideas for things you would like to see us cover on our blog, please let us know! Additional questions regarding other work or your pieces, please contact us via email at postermount@aol.com or by phone 818.882.1214.

Also, check out our websites: http://www.postermountain.com and http://www.lapapergroup.com. Please feel free to leave comments or questions on the blog. For daily photos and updates check out Poster Mountain's Twitter and Instagram: follow us on Twitter @postermount and Poster Mountain on Instagram. Our subsidiary company, LA Paper Group will be showcasing the fine art side of the company: @LAPaperGroup on Twitter and LAPaperGroup on Instagram.

Friday, February 24, 2017

Renault Restoration (Part 2)

This is the second part of a post we put up a while ago: Renault Restoration (Part 1). Since it has been a while, let me remind you what this Renault poster looked like after it had been linen backed and before any restoration was done.

Sorry for the weird shift in colors! The photo above was taken in out photography room and the others are all taken in the restoration department, which has very different lighting.
Previously, Gabe used a reference to draw the lines of the automobile and the train behind it. The first color shot was the red of the body of the automobile.


The next steps were to paint the gray train and then the black of the cabin interior and the shadows of the automobile. (Is this a car or a truck? Being a woman who does not have a lot of car, or history of cars, knowledge, I'm just going to keep calling it an automobile. Look, I have a lot of knowledge about a lot of things, cars just aren't one. Let's talk about books sometime, ok?) Anway, back to what you're actually here for:

This is the photo of the mask for the black of the cabin interior. 
 After airbrushing the black cabin interior, Gabe and the team then painted the yellow background. They were so quick that I don't have masking photos before the yellow was painted. So here's an after shot of the yellow background:


The last major area to be airbrushed was the paper color. In prep, we try to get as close to the original paper color and/or texture. Sometimes we have to make a decision whether paper color or texture is a better fit, but we had some paper that was a pretty good match for both. This makes airbrushing easier because the amount of paint that has to be used is significantly less.

Almost there! Just a few more areas to restore! 
Finally, just some small areas remained!

Gabe painting in a highlight on the edge of the automobile. 

Here is the final! (Again, sorry for the weird color shift.) From a missing chunk to a complete poster!


Certain proprietary steps and procedures have been omitted. If you have any comments or ideas for things you would like to see us cover on our blog, please let us know! Additional questions regarding other work or your pieces, please contact us via email at postermount@aol.com or by phone 818.882.1214.

Also, check out our websites: http://www.postermountain.com and http://www.lapapergroup.com. Please feel free to leave comments or questions on the blog. For daily photos and updates check out Poster Mountain's Twitter and Instagram: follow us on Twitter @postermount and Poster Mountain on Instagram. Our subsidiary company, LA Paper Group will be showcasing the fine art side of the company: @LAPaperGroup on Twitter and LAPaperGroup on Instagram.

Friday, December 9, 2016

Renault Restoration (Part 1)

This week's blog is the first of two covering the restoration of a 1928 Renault poster.


I wanted to focus on the process it takes for us to restore images where large sections are missing when I realized I hadn't ever done an automobile poster before, so two birds with one stone! 

After linen backing this piece, we did the prep work. I found paper that was almost a perfect match but wasn't quite the right dimensions for the largest hole. So, I did what I call a Frankenstein patch and used two patches from the same paper for the large hole. 

Two patches from the same paper, cobbled together to make one big patch! 


The patch for the missing corner.
Gabe took over after the prep work was finished. For works such as this, where we do have a reference, he starts by taking the measurements of the poster and then printing out the reference scaled to size.


From there he begins to sketch in the lines that we need and to determine how many different colors and patterns we will need to restore. This restoration project is one of the simpler ones and will require 6 different colors to be airbrushed in. 


 Once Gabe had the image drawn, he cut the mask for the red of the truck.


Aaron then matched the color and painted in the areas that needed to be the lovely bright red.



 The next post on this poster will have photos of the progress each time we add a new mask/color.

Certain proprietary steps and procedures have been omitted. If you have any comments or ideas for things you would like to see us cover on our blog, please let us know! Additional questions regarding other work or your pieces, please contact us via email at postermount@aol.com or by phone 818.882.1214.

Also, check out our websites: http://www.postermountain.com and http://www.lapapergroup.com. Please feel free to leave comments or questions on the blog. For daily photos and updates check out Poster Mountain's Twitter and Instagram: follow us on Twitter @postermount and Poster Mountain on Instagram. Our subsidiary company, LA Paper Group will be showcasing the fine art side of the company: @LAPaperGroup on Twitter and LAPaperGroup on Instagram.

Friday, December 2, 2016

A Few Changes to the Blog

Hi All! I hope you had a nice Thanksgiving. We are working on a couple of blog projects that will be up over the next few weeks, but I also wanted to point out some new features of the blog.

If you look to the right sidebar, under Pages we have added two new ones: About Us and FAQs. The About Us section gives a little bio of all of our team members and we will update that when necessary. The FAQs section has some basic information about us, how our most commonly used techniques generally work and other information that we are asked regularly.

We created this blog to make the conservation and restoration process more transparent because we not only love what we do, we take pride in the work and the way that we accomplish all the amazing projects from our clients. I am in the process of creating a Glossary of terms as well, but that is taking some more time. However, if you have questions that you would like us to answer please leave a comment below or email me, Derry, at blog.postermountain@gmail.com or Crystal and John at postermount@aol.com.

Tuesday, November 8, 2016

One of our Favorites: The Little Prince Book Repair

In 1943 Antoine de Saint-Exupery published a novella name The Little Prince. Since then it has been beloved by both children and adults, encouraging readers never to abandon imagination or hope. I love this book. My friends love this book. (Seriously, ask my friend who had the stars from the original illustration tattooed on her ankle.) So, when I got the chance to repair someone's beloved copy of The Little Prince I was thrilled. 


The first two pages, including the title page with the illustration of the Little Prince and the birds, were torn out.



This was a project where we were not doing restoration, just repairing the torn pages so our repairs had to be as seamless as possible. We used a combination of Okawara and Tengucho, both of which are Japanese made papers. Okawara is a thicker, sturdier paper that is usually a creamy color.The Tengucho is tissue-like, but is deceptively strong.


The first page of a book is called the front free-end page and it is often blank, unlike the title page which had text  and an illustration. Since I didn't have to worry about obscuring any image and only a little bit of the title on the free end page I used the Okawara on both sides of the page.  





For the free-end page that had the title printed on it, I also used Okawara and did my best to keep the title from being covered up. The iconic illustration of the Little Prince leaving his planet via a flock of birds we obviously did not want to cover anything if possible. This is where we used the diaphanous Tengucho to stabilize the tear that was being held together on the other side of the page by the Okawara.




We needed to stabilize both sides of the torn pages because if we had only put a paper patch on one side it risked tearing in the same way that the original papers had. The photos above show the tear even after I have repaired one side of the paper.



I traced out the smallest area we could cover with Tengucho and still stabilize the tear.


We used a starch paste to glue everything and it did not cause any reaction or discoloration of the paper, so once applied the Tenchugo was barely visible.





I am an avid book lover and this project made me so happy. I loved being able to repair these pages so that the owner could turn them and enjoy the illustration.

Certain proprietary steps and procedures have been omitted. If you have any comments or ideas for things you would like to see us cover on our blog, please let us know! Additional questions regarding other work or your pieces, please contact us via email at postermount@aol.com or by phone 818.882.1214.

Also, check out our websites: http://www.postermountain.com and http://www.lapapergroup.com. Please feel free to leave comments or questions on the blog. For daily photos and updates check out Poster Mountain's Twitter and Instragram: follow us on Twitter @postermount and postermountain on Instragram. Our subsidiary company, LA Paper Group will be showcasing the fine art side of the company: @LAPaperGroup on Twitter and LAPaperGroup on Instagram.

Friday, July 29, 2016

Women Love Diamonds Episode 3

It has been a while since we posted any updates about the massive restoration project that is the Women Love Diamonds poster. So, a quick recap: Last summer the poster was literally in pieces and missing a very large chunk right in the middle.



John and Madalyn went through multiple steps to get the poster linen backed and then prepped so restoration could begin. (All of which you can read in detail in Part 1 and Part 2.)


The main issue we encountered with this poster, besides the fact that it was originally in shreds, was that as far as we can tell it is a one of a kind poster and thus no reference exists for us to base our restoration off of. This is just the kind of challenge that we love at Poster Mountain! Ravi, Gabe and John had a quick consultation and decided to base the restoration of our leading lady's dress off of stills from the movie and other dresses from that time period.

Before restoration. 

At the end of Episode 2, Ravi had gotten a basic outline of  our leading lady Pauline Starke's body. The next step was to begin to give the dress shape. 


In order to get the dress just right and to connect the top half to the lower portion, Ravi drew a simple sketch of Starke's form. 


Ravi spent a lot of time looking at stills from this silent movie, although most of them were of Starke sitting down, so he had to get creative with how the dress probably looked.


I promise, Ravi really is working here not just surfing the net. 
Once Ravi had a good idea of what the dress may have looked like, it was time to get to work and connect the upper half to the lower train of the dress.


"Don't mind me, Ravi, I'm just lurking and watching you draw so I can take photos."

Preliminary drawing done!

This was one of the most incredible transformations to watch. Ravi worked on it when he had a free hour or two in between other projects and every time I looked up or went over to take a photo he had added more detail.


Here the background is masked off to protect it from the airbrushing that Ravi used to put in base coats of color.

After he had the outline of all the lines of the dress, Ravi masked off the rest of the poster and began to airbrush in a base coat. This color blended in with the original color of the dress and softened the lines of his pencil drawing, allowing him to add in more layers of color and pigment that would recreate the look of the original poster. 


Here is a close up of the preliminary sketch and the first round of airbrushing.

Base coat of color is in!

I had hoped to finish up Women Love Diamonds this week, but the post was just too long! So we'll have one last update next week! 

Certain proprietary steps and procedures have been omitted. If you have any comments or ideas for things you would like to see us cover on our blog, please let us know! Additional questions regarding other work or your pieces, please contact us via email at postermount@aol.com or by phone 818.882.1214.

Also, check out our websites: http://www.postermountain.com and http://www.lapapergroup.com. Please feel free to leave comments or questions on the blog. For dail photos and updates check out Poser Mountain's Twitter and Instragra: follus us on Twitter @postermount and postermountain on Instragram. Our subsidiary company, LA Paper Group will be showcasing the fine art side of the company: @LAPaperGroup on Twitter and LAPaperGroup on Instagram.